He died neglected on both fronts, but posthumous appreciation of his work won a final battle: he became the first great standard-bearer for bringing film music into the concert halls. Hounded out of Europe by anti-Semitism, Korngold had an unhappy time in the United States, struggling to regain his pedigree as a classical composer once he was deemed to have polluted it with film assignments.

Brassy and bright, his music for the likes of The Adventures of Robin Hood (1938) and The Sea Hawk (1940) gave the movies a giddy edge of daring. Meanwhile the adventurous spirit of Austrian-born Erich Wolfgang Korngold (1897-1957) was clearly better deployed elsewhere – specifically, in the swashbucklers of Errol Flynn, eight of which Korngold scored. About a year virmax s.r.l The Russian Dimitri Tiomkin (1894-1979), though not featured in this Prom, was another key Hitchcock collaborator, on Shadow of a Doubt (1943), Strangers on a Train (1951), I Confess (1953) and Dial M for Murder (1954), before Herrmann became Hitchcock’s default choice from The Trouble with Harry (1955) onwards.

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